French Benesh Choreologist and former dancer Gregory Mislin trained at the Paris Opera Ballet School and was subsequently engaged by the Ballet de l’Opéra de Paris. He later joined the Bavarian State Ballet as a soloist, dancing ballets by Marius Petipa, Serge Lifar, Bronislava Nijinska, Léonide Massine, Michel Fokine, John Cranko, George Balanchine, Jerome Robbins, Kenneth MacMillan, Frederick Ashton, Rudolf Nureyev, Patrice Bart, Ray Barra, Peter Wright, John Neumeier, Merce Cunningham, Lucinda Childs, Mats Ek, William Forsythe, Nacho Duato, Martin Schläpfer, Jiří Kylián, Hans van Manen and Jacopo Godani, among others.
He graduated from the Benesh Institute in London as a choreologist in 2012, and in the same year he gained the French State Diploma (DE) as a dance teacher. In 2014, Gregory Mislin joined The Royal Ballet London as Benesh Choreologist and has since written down new creations using this movement notation system including Christopher Wheeldonʼs Like Water for Chocolate, Wayne McGregorʼs Untitled, 2023, Liam Scarlettʼs Sweet Violets, The Age of Anxiety, Frankenstein, Symphonic Dances and Swan Lake, Hofesh Shechterʼs Untouchable, Crystal Piteʼs Flight Pattern, as well as working on the current repertoire of The Royal Ballet.
Work away from The Royal Ballet includes the restaging of Christopher Wheeldonʼs Like Water for Chocolate for American Ballet Theatre, Ivan Liškaʼs Le Corsaire for Finnish National Ballet and Boston Ballet and Liam Scarlett’s Frankenstein for San Francisco Ballet, as well assisting Bavarian State Ballet on ballets including Ray Barraʼs Swan Lake.
Gregory Mislin will be a guest at the Vienna State Ballet in the 2024/25 season for the staging of Christopher Wheeldonʼs The Winterʼs Tale.